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2026 Jack King Award

Announcing the

2026 Jack King Award

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The Associated Designers of Canada is thrilled to announce the 2026 recipient of the $4,000 Jack King Award. The Award is presented biennially to a Canadian live performance designer in a pursuit of personal artistic development. 

The jury was unanimous in selecting JB Nelles as the 2026 recipient of the Jack King Award, noting:

JB’s application represents the spirit of Jack King’s self-taught, multifaceted career perfectly. They have created an exciting, intensive professional development period on puppet creation and construction with a few mentors: we loved their enthusiasm for a craft in which it is difficult to find training in Canada. Taking this period of exploration will boost their knowledge and craft exponentially.

In response to their selection, JB writes:

I am honoured to be the recipient of this year’s Jack King Award. I am excited to be pursuing mentorship in puppetry with Eric Woolfe at Eldritch Theatre, as well as other educational opportunities in Nova Scotia. Thank you so much to the selection committee and the ADC for making this possible. 

About JB Nelles

JB Nelles (they/them) is an emerging set and costume designer currently based in Kjipuktuk (Halifax, NS). JB’s work focuses on designing and building costumes and scener

y for theatre, film and live performance. They enjoy using alternative materials in unconventional ways, and working to find sustainable practices to bring worlds and characters to life. JB’s practice has taken them through Eastern Canada from Toronto to Newfoundland, and to Halifax where they now call home. They have worked with Neptune theatre (Dracula: A Comedy of Terrors; Mad Madge; Wizard of Oz; Little Shop of Horrors), Eldritch Theatre (Zombocalypse; Requiem for a Gumshoe; Macbeth: A Tale Told by an Idiot), Living Edge Theatre ((SAINT) JOAN), and North Barn Theatre (Swamp Life Parade at Sappy Fest 2025) and the Stephenville Theatre Festival (Legally Blonde; Pinoccio; Next to Normal; Sirens of Song). JB is a graduate of York University (2020) with a BFA in Theatre with a specialization in Production and Design. After graduating, JB joined McWood Studios as a Scenic Artist where they would rapidly expand their artist skills as an artist. In 2022, JB began freelance scenic art, costume and prop work with various companies in Ontario including Crow’s Theatre, Talk is Free Theatre, Capitol Theatre Port Hope, and Coal Mine Theatre. In 2025 JB was selected to participate in Out of Line, a 9 month program for Trans and Gender Non-Conforming artists hosted by the Khyber Centre for the Arts, facilitated by Marley O’Brian.

 

This Year's Selection Committee

Nancy Perrin

Set and Costume Designer
Nancy is an award-winning set and costume designer for performance based in Toronto, ON. They’re work includes designs with Tarragon, Native Earth, Howland, Guild Theatre Festival, Festival Antigonish, Driftwood, Hart House, Magnus, the City of Montreal and as part of the Summerworks and Next Stage Festivals. She enjoys building the next generation of theatre practitioners through her teaching and design work with Mount Allison University, University of Windsor, Toronto Metropolitan University and Sheridan College. Awards include a Dora Award for Outstanding Costume Design, three Dora nominations, the Ian and Molly Lindsay Young Design Fellowship, the Tom Patterson Guthrie Award, and the Peter Dwyer Scholarship.

Michelle Ramsay

Lighting Designer
Michelle is a Toronto based multi-award winning lighting designer who works with dance, theatre and opera companies across Canada and around the world. The evolution of Michelle’s unique aesthetic can be seen throughout her 20 year career by way of both small independent and large scale productions. She has designed for: Theatre Rusticle, Buddies in Bad Times Theatre, Stratford Festival, Opera Atelier, Theatre New Brunswick, Soulpepper, Foo Productions, Factory Theatre, New Harlem, Rossini Opera Festival, Shaw Festival, Cahoots Theatre Company, Blue Ceiling Dance, fu-GEN, The Theatre Centre, nightswimming, Tapestry Opera, National Arts Centre, Native Earth Performing Arts, Mirvish Productions, Theatre Passe Muraille and Tarragon Theatre. She has received eight Dora Mavor Moore Awards, a SATAward and the Pauline McGibbon Award. he is co-founder of the Designer’s Guild, the Chair of the Associated Designers of Canada and the Vice-President of ADC659.

Snežana Pešić

Performance Designer
Snežana Pešić is a performance designer, multidisciplinary artist, and educator whose work has been presented across Canada and internationally. Her recent work includes collaborations with Soulpepper Theatre, Crow’s Theatre, Canadian Stage, and Ghost River Theatre. Her designs have toured and been performed in the US, Chile, Mexico, Norway, and Serbia, and featured in numerous international exhibitions, including the Prague Quadrennial (2007 and 2015), World Stage Design (2009, Seoul; 2013, Cardiff), Innovative Costume of the 21st Century; Next Generation, and Costume at the Turn of the Century (Moscow, 2019 and 2015). In 2019, Snežana designed and curated the Canadian Professional Exhibition at the Prague Quadrennial of Performance Design and Space (PQ2019). The international jury recognized Michael Levine's artistry and the exhibition with the Award for Excellence in Performance Design, earning Canada its first-ever PQ award. Snežana received the Betty Mitchell Award for outstanding lighting design and has been nominated for the Virginia and Myrtle Cooper Award in Costume Design and the Pauline McGibbon Award for emerging artists. Her work extends beyond stage design to film, devised performance, installation art, and commercial projects. Her debut film, Suture, won Best Experimental Short Film at the 2022 Toronto Independent Film Festival and the 2023 Veracruz Short Film Festival. Pešic is an assistant professor at the University of Toronto and serves on the board of Associated Designers of Canada. www.snezanapesic.com She is particularly interested in the development of new works and interdisciplinary explorations. Rachel has been experimenting with designer-led theatre projects and is keen to integrate design into the text creation process. Rachel is invested in exploring the artistic expressions of the African diaspora in North America and beyond. Much of her work has focused on creating worlds for these stories on stage.

John Gzowski

Sound Designer

Logan Cracknell

Lighting Designer